Elliot Adamson is creating a buzz as the current most exciting fresh talent in electronic music, with an inherent knack for phenomenally original records and catchy edits that spread like wildfire. The prolific producer, with continuous support from heavyweights such as Denis Sulta and Patrick Topping, continues his winning streak with the prospect of headlining fabric Room 2 and a hefty release schedule including a twelve-track summer release on Man Power’s Me Me Me imprint.

2018 also brings a move to Field Artists booking agency, where Elliot sits alongside Dixon Avenue Basement Jams, Big Miz and Chaos in the CBD.

His relationship with Man Power and Me Me Me has been long and fruitful, the label being home to his ‘Je Suis’ EP, a remix, and a track on the charity compilation for Help Refugees. His forthcoming twelve-tracker, ‘Self [Entitled]’, features eight original cuts, alongside remixes from Spencer Parker, Pale Blue, newcomer Ben Caldwell, and in typical Elliot Adamson style, he even remixes himself.

Elliot has always blazed his own trail. Growing up, he was a prominent part of the legendary illegal rave scene in Newcastle, thrashing out his own style of techno to ecstatic ravers in freezing fields and warehouses.

He still goes his own way while constantly hunting for new music and upcoming artists. From working on a track for days in the studio, to creating one literally during a live back to back set with another artist, Elliot isn’t held back by social norms or ‘shoulds’ – resulting in a diverse range of successful releases on labels including Edible and DJ Haus’ Unknown to the Unknown.

Unofficial edits that have gone viral with hundreds of thousands of plays include his edit of Dizzee Rascal’s ‘Strings Hoe’, The Streets ‘Weak Become Heroes’ and most recently his ‘EAcapella’ edit of Mall Grab ‘Feel Good House’ which has been championed by BBC Radio 1.


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